Baby Set(infant to 9mo)ģ4- Stars and Flowers Square Tiling Motifģ7- Bedspread or Tablecloth Tiling Motifs(2)Ģ06- 18"x 10" Oval, 10" Round Pineapple Doily SetĢ09- "Bless This House O'Lord We Pray"(filet) PanelĢ10- 15" x 20" Antique Locomotive Panel(filet)Ģ11- 15" x 20" Diamond Beauty Chair Back(filet)Ģ15- 10" x 30" TV Scarf(butterflies,hearts,filet)Ģ16- 18" x 24" Beautiful Daffodil and Rose Chair Set(filet)Ģ19- 11" x 18" Sparkling Dawn Vanity ScarfĢ23- Any Size Wedding Ring Panel Tablecloth(filet)Ģ25- 16" x 14", 10" x 7" Lady Bird Chair SetĢ29- 14" x 12" "The World Is In His Hands" Panel(filet)Ģ35- 18" x 24" Peacock and Morning Glory Panel(filet)Ģ42- 10" x 22" Spider Web and Filet RunnerĢ56- 18" x 23" "God Bless America" Capitol Building Panel(filet)Ģ69- 14"x18" Oblong, 14" Sq. Jacket, Bonnet Set(infant to 9mo)ģ3B- Lacy Knot St. 1962)"Ģ8A- Ribbed Jacket for Boy/Girl(3mo - 1yr)ģ1A- Puff Stitch Jacket, Bonnet Set(infant - 9mo)ģ2A- Shell and Popcorn St. This image was scanned from "Women's Household(Nov. ELIZABETH HIDDLESON BIOGRAPHY AND BIBLIOGRAPHY PAGE
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Strata purchased the portfolio for more than $650 million, according to industry sources. “The improvements will bolster demand and drive our value-added strategy.” “The location and vintage of these assets is appealing from an investment and portfolio diversification standpoint,” Michan continues. Most of the properties will undergo a renovation to upgrade the common-area amenities and finishes within the units. The portfolio contains institutional-quality assets built between 19. These efforts have complemented Strata’s land banking and entitlement division.” “Over the last five years, Strata has rebuilt its income property portfolio after having divested a majority of its assets during the last upcycle. “These acquisitions have expanded Strata’s national presence in line with our long-term investment strategy of delivering attractive, risk-adjusted cash yields in strategic growth markets to our investors,” says Carlos Michan, Strata’s CEO and founder. The securitized loans will be serviced by HFF through its Freddie Mac Program Plus Seller/Servicer program. They were placed with Freddie Mac’s CME Program. The 12 separate, fixed-rate loans were arranged by HFF’s Mona Carlton, Luke Vanderpoel, Chad Russell, Kris Lowe and Ginger O’Reilly. The portfolio contains 4,635 units throughout Denver, Atlanta, Houston and Austin, Tex. SAN DIEGO - Strata Equity Group has received $494.8 million in acquisition financing to purchase a 12-property multifamily portfolio from Blackstone Real Estate Partners VII. What threats do respirators protect against?.What do N95 and P100 respirator mask ratings mean?.Dust masks, surgical masks, and bandanas are not good enough for emergencies.Which types of respirators and gas masks protect the best?.Full details and background info are below the fold. To be honest, this article took a lot longer than expected, mostly due to the overwhelming amount of fraudulent garbage and grossly disorganized info on the internet. Children and those with facial hair don’t have a lot of good options, but we offer tips below.Pay attention to mask fit, proper storage and care, proper use, and respecting expiration dates.You can run through 1-3 filters in a single day.Do not buy surplus masks or clones from cheap countries.Masks cannot protect you from everything in all cases.There is a wide range of gas masks and respirators.You will not be spending days traveling the wastelands wearing just a gas mask. Respirators are temporary solutions to help you escape danger.A nuclear gas mask should not be one of your first purchases, if you ever buy one at all. Start with the disposables and work your way up.Most people should have a mix of cheap disposables and a half-face model in their emergency bags, and possibly a CBRN- or NBC-rated gas mask at home.Most important tips for emergency respirators: So you can’t depend on finding respirator masks easily when you need them at the last minute. So are the disposable N95/P100 ones that form a tight seal around your nose and mouth, or the half-face versions commonly used in industrial or construction settings.ĭuring the 2017 wildfires that choked major California cities with smoke, local stores completely sold out as people rushed in to buy masks. When people refer to “gas masks”, those are respirators. There are common but serious misunderstandings about lingo, how they work, and what types of masks work well for emergencies (rather than masks meant for painting or sawing).įor example, the masks you see many people wear during daily life in Asia do almost nothing to protect you from external threats like disease - they are designed to protect other people from you. Yet many preppers either overlook them entirely, think N95 is the answer to everything, or buy a cheap gas mask while believing they can bug out to Chernobyl. Respirators have a nice cost/weight/volume to benefit ratio, especially the smaller disposable ones, and should be in every emergency kit. Don’t forget to protect your eyes, too, and that exhalation valves on masks means you could be spreading the virus via blowing it out of your mask. Here’s a collection of DIY mask instructions, tips on safely putting on and taking off your mask, and you can follow COVID updates and analysis here. But in this case you can still make a meaningful difference protecting yourself and others with simple face masks. Bandanas, dust masks, and surgical masks are not respirators and are not something you should rely on in emergencies!ĬOVID editor’s note January 24 2020: It’s basically impossible for a consumer to find a proper respirator after the initial panic buying and severe lack of government/hospital preparation. The best masks for emergencies are respirators because they prevent bad stuff from getting into your respiratory system.
They are also relevant about artistic renditions and performance rooms, as they relate, for instance, to the concept of auditory intimacy, an important aspect of the quality of concert halls. In everyday life, both the egocentric distance to visible sound sources and the size of a surrounding room are important perceptual features, since they contribute to spatial notion and orientation. The present study examined and experimentally dissociated the important modalities of hearing and vision by separately providing and manipulating the respectively perceivable information about the physical world, i.e., auralized and visualized spatial scenes. A fundamental issue is the extent to which such features rely on the different modalities and their cooperation. The multimodal perception, integration and mental reconstruction of the physical world provide us, amongst other things, with various modality-specific and modality-unspecific features such as colors, timbres, smells, vibrations, locations, dimensions, materials, and aesthetic impressions, which are or can be related to perceived objects and environments. Structural and material properties of rooms may also influence auditory-visual distance perception. Geometric estimations in performance rooms relied upon nine-tenths on the visual, and one-tenth on the acoustic properties of the virtualized spatial scenes, but negligibly on their interaction. The mean estimates differed between the acoustic and the visual as well as between the acoustic-visual and the combined single-domain conditions. By the use of a linearized extraaural headset and a semi-panoramic stereoscopic projection, the auralized, visualized, and auralized-visualized spatial scenes were presented to test participants who were asked to estimate the egocentric distance and the room size. Recordings of music and a speech performance were integrated into direct renderings of six rooms by applying dynamic binaural synthesis and chroma-key compositing. The influences of both the presence and the properties of acoustic and visual environments on these features were investigated. The perceived egocentric distance to the artists and the perceived room size are relevant features in this regard. Artistic renditions are mediated by the performance rooms in which they are staged. Having done so, teachers will be able to create group pages within Soundation’s community to facilitate lessons. Once edited, videos and photos can be saved right to the “Cloud” for safe and secure storage. To receive this offer, music educators and students will have to create a free account which, after filling out a survey will be upgraded to premium status. Even if it’s just still photos that need to be edited, it can perform all standard photo editing processes and features hundreds of different filters. You will find the latest Soundation Promo Codes & Deals added by ThinkUp users and. Users can create e-cards and collages, both still and animated, that can be shared with friends and family through social media and email integration. But videos aren’t all that can be edited. With Kizoa, users can choose from a number of different editing tools right from their browser, including the ability to add special effects, transitions, text, and more to videos. What can I do if the login for Soundation Free Premium Account is not successful In case your login for Soundation Free Premium Account is unsuccessful, you should recheck out your provided personal information again or you can choose another recommendation for. Parametric EQ - Professional 8 band equalizer that enables you to sculpt. This, however, has to be done by the educators and teachers, by creating accounts for themselves and their students. Membership is free but a premium account can also be purchased for a one-time fee. All of these things are also applied to Soundation Free Premium Account. Premium Sound Library - Searchable library containing more than 12,000 loops & samples. Free Soundation Premium for schools Soundation offers an opportunity for schools and institutes for hosting remote education by using their online music studio. While using Spotify premium one can have access to music catalogue. Unlike most video editing tools, Kizoa projects can be worked on anywhere you have an internet connection once you initially upload your content. On the MY FREE MP3 music download portal users will find new music songs to their. Kizoa is a free movie maker and video editor that lets users upload their videos and edit them online, no download required. Before you get started make sure that you are using the latest Google Chrome or Mozilla Firefox. This website was not only setup to try to preserve these games, but also to make them playable for free on modern desktop computers, tablets and phones. There was so much change in the 80’s and 90’s with DOS games and many seem to be all but forgotten, but we have them here! (If there is a game missing shoot us a message and we’ll put it up.) Dope Wars 2.0 10 posts WhiteGoblin 'Bearer of the Mark' Ars Legatus Legionis Tribus. You will notice that many of the games will let you change sounds cards, graphics cards etc. Neoseeker Forums » PC Games » Dope Wars » TREADON DOPEWARS ONLINE. These are the games where youre essentially running a business. unwashed heathen (guest) Aug 6, 04 at 6:49am (PST). 14 Oct What Dope Wars, Lemonade Stand and RollerCoaster Tycoon taught me about business. Originally set in New York, your aim is to deal in drugs and make your fortune. DOPE WARS is also an ongoing NFT art project and experiment in decentralized project governance using a DAO. dopewars is a drug dealing game based on 'Drug Wars' by John E. These games were from a time when there were so many different types of PC's on the market that all had different hardware. user reviews Topic: TREADON DOPEWARS ONLINE. Game description The DOPE WARS community is producing one of the first play-to-earn crypto games on the Ethereum and StarkWare blockchain, inspired by the classic TI-83 game we played instead of doing math homework. There is just something magical about the old DOS games that just brings back memories and takes many of us back to our childhood or a time when things were simpler and just as much fun without all the animation that is the standard these days. dopewars Language English This is an updated version of Dope Wars by the Happy Hacker Foundation which in itself was based on John E. ClassicReload was setup for preservation of 6,000+ old retro abandonware games and abandoned OS/interfaces that you can play DOS games online right in your web browser for education and research purposes. The only advantage of the mid-coat is that it makes the clear-coat unique and durable. Is not usually applied when using a three-stage pearl car painting style. It makes the paint have a sparkling finish on where it is applied. Pearlescent paint – This contains several colorful pigments which are referred to as “Pearls”.It is usually more difficult to apply because it needs to be applied evenly to guarantee a regular looking finish without mottling (light and dark spot which is caused by inconsistency in the application of the paint). Metallic paint – This has some aluminum fragments in them which create a grainy effect in them and also make them shine the effect is commonly called metallic look.They are usually easy to apply and are widely used on heavy-duty vehicles, construction vehicles, and aircraft. Solid paint - This does not contain any shining properties in them just only the color.If you have any reservations about whether our products work in vehicle coatings, you should know that we were the pioneers who introduced Pearls to the world. Not only are all of our additives completely compatible with vehicle wrap, we were the first to supply the coatings companies with pigments. We love to show off the work that our wonderful customers are doing. If you find the opportunity, send us some great pics and a small testimonial about what you did with our products and we will send you a gift card for the website. There are so many options with our products! Photos, Videos and testimonials are a great way to show off the capabilities of our additives. Our Candy Pearls, Metal Flakes, True Chameleon pigments, Thermochromics, Glow In The Darks and all other paint pigments are truly custom paints and can be used in almost any application. We at Paint With Pearl appreciate all of our customers who take the time to send us pictures and feedback on all of our products. Note: When mixing Ghost Pearl, use only 1 teaspoon per mixed quart (a little less over black base coat), and for metal flake, use 1 heaping Tablespoon per mixed quart. Add reducer/clear, our product, and mix to one sprayable quart. For Excel or other base clears, it is almost always 50/50 with reducer/clear. Determine your manufacturer’s mixing ratio. The video is a quick and simple way to visually see how easy it is to mix and use our products to make DIY custom paint. Black base coats are easier and more forgiving to cover so may use less pigment, whereas a white or silver base may need a bit more pigment to really pop. This is a starting ratio and can be altered to your taste. For Candy and Chameleon, use 1 bag per mixed quart. Keep in mind: the ratios of powder will vary depending on which one of our products you are using, and how much you want to use. The following YouTube video demonstrates exactly how easy mixing your own custom paint really is. You simply need to mix our pearls, candies, metal flakes, or temperature-changing pigments into their products. It is truly noting to be afraid of, as every paint company out there does the same thing so that they can charge you more than double the price for custom paint! With our products, you can still use your favorite brands of paint (by buying their binder, blender, or inter-coat clear). We are very proud of our line of products, and we decided to give more of an in-depth description of how to mix them into your paints, as many people have expressed a little bit of fear when it comes to dealing with powders in paint. Short Video on How Simple it is to Mix your Own Custom Paint DIY Custom Paint video Unfortunately, though, that online pool is exceptionally shallow, and this is where my disappointment comes in. One huge positive is that Gang Beasts does allow for online play too and if you don’t have friends to hand to enjoy things locally you can jump into the online pool of players to find your opponents. It’s good that players are able to choose how to play, be it cowardly by hiding or making the most of the surroundings and controls to pull off fancy headbutts and dropkicks for some stylish and hilarious knockouts. The maps are unique and offer either a ton of ways to dispatch opposing players or come packed with enough hazards to see you fighting the environment as much as you are your opponents. Gameplay wise Gang Beasts affords some truly memorable moments. This is a blast to play especially when you begin to eliminate players and find a battle of 3v1 ensuing, all as your team or the opposition run dominant and find yourself running for your life or trying your best to overcome the odds in the physics-based playgrounds. Gang on the other hand is essentially Melee but with teams of 3v3, and this sees the last team standing win. A point for the winner, and aggressive feelings from the loser is how these games run, provided you’re playing with friends and not strangers. Melee is exactly that, a melee of who can survive to the end. It’s no rival to FIFA but having no rules does take me back to the good old days of RedCard or This is Football and it can bring a good laugh as you drag each other away from the ball and faceplant others into the walls. Football is as you’d expect two goals, one ball and the one with the most goals at the end of the timer wins. Besides that, a single wave-based game mode in which players try to survive against increasing numbers of seriously determined and encroaching enemies is easily the dullest mode in the game.īesides Waves, there are three other modes to get stuck in with – Melee, Gang and Football. Sadly though, unlike that game, Gang Beasts requires you to have multiple other players ready to play too, otherwise you’re not really going to get anywhere thanks to the complete lack of A.I. In play the game looks and feels a lot like that of Human: Fall Flat, one of the other fantastic physics-based games on Xbox One in which you control a gelatinous character. Tapping each one will result in a punch from the associated hand whilst holding the bumper will allow you to grip onto whatever you’re next to, be it a wall, a sign or another player’s head. To do this you’ll need to first master the controls, with the bumpers controlling your hands – left bumper for the left hand, right bumper for the right hand. This may mean throwing them off the map, dropping them into a grinder, or pushing them into a pit of fire for example. The gameplay is fine you must take your gelatinous blob of humanoid-ish jelly and knock out the other competitors before throwing them to their demise in any way possible. It’s simple enough to ensure the basics for a quality party game are met. This is all set in Beef City and the aim is to be the last one standing, in-turn earning the round winning point. For those who’ve not yet heard of Gang Beasts… are you even gamers? I’m kidding of course, but for those of you who don’t know Gang Beasts is a physics based multiplayer beat ’em up party game in which gelatinous characters fight it out within a variety of hazardous environments. The trouble with leveling the individual patches is that some patches when adjusted full ( midi volume 127) still arent anywhere equal to most of the other patches. level all the combinations that you use while performing unless you want to have a "take a solo" combination and dont use a volume pedal #1 - make all patches equal volume - can't work if you use dense combinations involving many patches silly but if you must do so to avoid accidentally hitting or engaging it one could tape a small 5 sided box if you will ( a lego block ? ) over the patch button if need be. In a band, i'll use white out to underline or circle the combination switch and or numeric select pad to see it better. synth designers should have the patch and combination buttons distanced so this cant accidentally happen. Level all your combinations equal but there still is the danger of hitting the patch switch enabling a patch sound which is usually louder than your combinations. synthesisers typically allow combining these patches ( patches, for our use here) to make a layered or blended sound called a COMBINATION or performance or other things ( combination for our uses here ).ĬOMBINATION could be piano, string, and french horn some companies call a single sound like piano a PATCH, or a program and other things. the leveling of the different sounds should be done by ear at home through a full range system ( 15 inch cone to horn type style cabinet ) so it is somewhat similar in frequency response to your mains or f.o.h.Ĭonsider the ingredients of sound a synth offers: a patch, a combination. I have done years of synth programing and change many sounds nightly. That should be less of a problem for you with someone out front. He ended up having to save those as new saves/programme after editing, labeling them in some cases, as the song name.Įven with that done, it still relies on him using the same master volume setting gig to gig, and not getting excited and turning that up. He struggled for a bit, because it always sounded fine at home. In order to hear the quieter split when playing live he would turn up the master volume. One of the most problematic areas was when he used split sounds, with variance in the two splits. It took a few goes and some prompting to get it more level across all the sounds he uses. IIRC he did it with headphones, ie by ears, but at least with headphones if something is "a little bit louder" it will be a tad more obvious. Our keyboard player manually adjusted his output settings on each sound (using the manual) so they all became similar in volume, one sound to the next. We had/have the same problem, just not sure exactly what he uses. It's not possible to have the keyboardist adjust his own volume level for the PA output song to song, despite us trying a gazillion ways to overcome his volume problems. Have any of you had to do this? If so, how did yo go about it to set the levels? We have manuals so the process of saving will be no problem, it's just more the mechanics of how the overall level range was set - in other words did you use an amp, condenser mike and RTA or did you just use your ears. This means that we will have to adjust all his KB patches so that the relative levels will be on average what we'd expect them to be during the various songs, say 3 - 6 db max difference over the entire range from strings to brass ( instead of the HUGE difference we have now at the same volume setting on the KB ) The keyboardist will be able to adjust his keys level in his monitor via the mixer. We are also overcoming problems with his in ear monitor mixer which I don't want to go into details about here, and so it would be an ideal situation if we set his keys output level to the PA at one setting and let our sound man ( yes we have a sound tech at every gig now ) make the minor volume level adjustments during the gig. He uses a huge range of patches and each of these patches have factory settings whereby some are extremely quiet compared to others which can be REALLY LOUD. Our keyboardist has a Roland RD700SX and Yamaha PSR8000 keyboard. |
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